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Pieter Aertsen Market Woman with Vegetable Stall oil painting


Market Woman with Vegetable Stall
Painting ID::  79128
Pieter Aertsen
Market Woman with Vegetable Stall
1567(1567) Oil on wood Width: 110 cm (43.3 in). Height: 11 cm (4.3 in). cjr

   
   
     

Pieter Aertsen Cook oil painting


Cook
Painting ID::  80398
Pieter Aertsen
Cook
1550(1550) Medium Oil on canvas cyf

   
   
     

Pieter Aertsen The adoration of the Magi oil painting


The adoration of the Magi
Painting ID::  81110
Pieter Aertsen
The adoration of the Magi
Date ca. 1560(1560) Medium Oil on panel Dimensions 167.5 x 180 cm (65.9 x 70.9 in) cjr

   
   
     

Pieter Aertsen Vendor of Fowl oil painting


Vendor of Fowl
Painting ID::  81673
Pieter Aertsen
Vendor of Fowl
1560s Medium Oil on panel cyf

   
   
     

Pieter Aertsen Market Woman with Vegetable Stall oil painting


Market Woman with Vegetable Stall
Painting ID::  82237
Pieter Aertsen
Market Woman with Vegetable Stall
1567(1567) Medium Oil on wood cyf

   
   
     

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     Pieter Aertsen
     1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

     Related Artists::.
     | Edwin Douglas | Alessandro Turchi | ZUCCHI Jacopo |


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